Angelina Mango with La noia won the 2024 San Remo festival. So Geolier with the song I’p’me, Tu p’te, Annalisa sincerely, Ghali with my house, irama Not with you.
A top five made up entirely of artists who represent the new generations of music and capture market trends. “You are crazy, thank you very much to the orchestra, to you Amadeus, to Fiorello, to my team, to my family, thank you for coming,” said the 22-year-old artist, daughter of Pino Mango and Laura Valente. , in tears.
It’s been 10 years since a woman won the Sanremo festival: the last success dates back to 2014, when Arisa won with Controvento.
The Mia Martini Critics Award went to Loredana Bertè with the song Pazza; Angelina Mango also received the Lucio Dalla Press Room Award, with 22 votes, and the Giancarlo Bigazzi Award for best musical composition. The Sergio Bardotti Prize for best text went to Fiorella Mannoia with Mariposa.
The avalanche of preferences sent televoting into a tailspin, with artists and fans reporting problems receiving confirmation messages. But Rai – after the appropriate controls – specified that the large number of preferences had been duly acquired and that no vote would have been lost.
To close his last festival Amadeus wanted to have his friend by his side again Fiorello: after dawn with Viva Rai2! and the raids on the Ariston, the showman took the stage with a revision of the Man in the Tailcoat in a mix between Domenico Modugno and Michael Jackson’s Billie Jean, in a luminous suit with LED inserts, with the dancers of the Ukrainian Dance Company of kyiv high-tech. His performance oscillated between the festival’s ratings boom and the artistic director’s decision to abandon it after five consecutive editions. “This man has done incredible things, he is doing extraordinary things, you have achieved 67%: you are no longer a party, you are a coalition on your own. This wins the European elections and wins Eurovision, be careful.” “It’s our last festival,” Fiorello recalled. “He needs to rest, because when he finishes he will go to do the usual unknowns, the packages. Do you know who I’m thinking of? José.” And then, addressing the son of the artistic director sitting in the front row: “You have been there for five years, the Italians have seen you grow up in that chair. Next year you will have to go to school. And as soon as When the teacher sees you and will tell you: José Sebastiani, with code 01, you are being interrogated”.
He let out a Wow when Amadeus caught him from behind on stage to play a prank. And after the controversy over the Travolta case, here comes the ‘open advertising’ of the Armani dress and Il Ballo del Qua Qua with the melody of Farfallina by Luca Carboni. After the boos on Friday, at the end of the cover evening, and this final, during the reading of the provisional ranking, the applause rewarded Geolier’s performance, while the entire audience stood up to cheer for Angelina Mango, who He slipped while climbing. scenery.
The final passed away with a dedication, a call, a hug to the mothers present. BigMama shouted that for you anger is not enough “to all the insecure people, to those who feel ashamed: always believe in yourself, believe in your dreams and if you want to dance, dance.” Gazzelle dedicated his Tutto Qui to “Giovanna, a person I miss very much.” Dargen D’Amico sang Onda Alta and then kisses Mara Venier: Amadeus thanked him “for bringing joy and at the same time deep reflections.”
Negramaro proposed Ricominciamo tutto and shouted: “Long live music, long live freedom, long live peace.” Mahmood convinced with his Golden Tracksuit and then thanked “all the artists who gave us their vision of the world completely free of charge on this stage. Long live the differences and freedom of thought always and in any case.” Ghali, who stands out with Casa mia, had the alien Rich who accompanied him suggest his ‘Stop the genocide’. Emma’s thoughts turned to her father Rosario, who died in 2022: “He was the first to throw me on stage: I promise him that I will be there as long as I have breath in my body.”
Sad raised a green, violet and blue flag: “It does not represent political ideals, but the values of the fight against discrimination, violence, hatred, abuse and sexism. It is only the first step to change Italy as a whole. “better if we all want it.” Mr. Rain left flowers on one of the Two Swings on the stage, with a dedication to “all the people who have a void inside.” At 21 years old, Sangiovanni understood that “defeat and victory are not really important, but victory is feeling good or at least trying.”
Super guest Roberto Bollecharming with the notes of Ravel’s Bolero.
Gigliola Cinquetti proposed Non ho l’età again, sixty years after his victory at the festival: “This song left alone, among the people, it became the people’s, now it is as if it had returned home.”
This is the definitive ranking from position 6 to 30: Mahmood, Loredana Bertè, Il Volo, Alessandra Amoroso, Alfa, Gazzelle, Il Tre, Diodato, Emma, Fiorella Mannoia, The Kolors, Mr.Rain, Santi Francesi, Negramaro, Dargen D’Amico, Ricchi e Poveri, BigMama , Rose Villain, Clara, Renga Nek, Maninni, La Sad, BNKR44, Sangiovanni, Fred De Palma.
Ciclone Fiorello between Modugno and Jackson with Ukrainian dancers
Fiorello enters the scene on the last night of the Sanremo Festival with a revision of the famous ‘L’uomo in Frack’ on an original musical carpet, a mix between Domenico Modugno and Michael Jackson. Dressed in a glowing costume with LED inserts, Fiorello was accompanied on stage by dancers from the Kiev Ukrainian Hi-Tech Dance Company. “To do this number I was in office all afternoon,” the showman joked.
Amadeus remembers the drama of the foibe in San Remo
With the melody of ‘Io che amo solo te’, performed by the San Remo orchestra, Amadeus introduces the memory of the foibe. “Endrigo – he explains – was born in Pola and in 1947, due to the cession of Istria to Dalmatia, he became a refugee with his mother. A drama experienced by many compatriots. Tito’s militias carried out a massive massacre. She died in “There was an incredible amount of people. One of the most tragic pages in history.” In Trieste, Amadeus recalled, “a memory train was inaugurated to, ideally, travel the path of the exiles.”
Roberto Bolle dances Bolero at the Ariston
Perfection made dancer. The Ariston theater is transformed into a large classical theater and hosts Roberto Bolle, who, accompanied by 18 dancers from the Béjart Ballet Lausanne, performs Maurice Ravel’s Bolero, for the first time on Italian television.
The 60th anniversary of Non ho l’età, ovation for Gigliola Cinquetti